Book Review: July 1914: Countdown to War by Sean McMeekin

I have probably read 30-40 books exploring the origins of World War I in the past 5-6 years and I thought that just about everything relevant there was to be known about the events of the month leading up to the war were known and historians have just been stirring the ashes and finding trivia in trying to determine a more accurate chain of causation. July 1914: Countdown to War by Sean McMeekin disabused of that notion.  This work has made me aware of several things about the critical month between the Assassination of Archduke Franz Ferdinand and the outbreak of World War I that I am amazed have not gotten wider notice in the literature on World War I’s origins. This book is superb diplomatic history that through tight, focused prose and in depth research manages to untangle the tangled web of events in July 1914.

The book itself has 406 pages of text separated into two sections of 25 chapters including an Author’s Note, prologue, and epilogue. There are extensive endnotes for each chapter with relevant footnotes inserted into the text where appropriate and a 10 page bibliography. The two sections of the book cover the immediate reactions of the Great Powers of the day to the assassination and the subsequent diplomatic maneuvering leading up to the war.

There are several revelations in the book and no time is wasted in introducing the first, which I thought was a bombshell. This is that the relevant Russian and French archives have almost no records of the activities of their respective ambassadors for the month of July. What records for their activities that do exist are all secondary sources from the other great powers such as Germany, Austria, and Britain. I find it amazing that this lack of records has not been more highly touted in books on the origins of the war as it was these ambassadors, Paléologue for the French in St. Petersburg and Izvolsky for the Russians in France that played a pivotal role in relations of the two countries during the period leading up to Russian mobilization and the coordination between the two Allies. Another interesting fact that has gotten short shrift in the literature thus far is the sequence of events and timelines surrounding Russian mobilization. It is widely known that Russia began mobilization before any other power, what is not so widely known is that Russia had apparently decided on war at the time she declared the pre-mobilization “Period Preparatory to War” which was just mobilization by another name to begin with.

I have thought for years that the ultimate responsibility for the outbreak of war in 1914 lay with Russia. McMeekin’s work tends to confirm me in that belief. The final decision for war lay with the Tsar and more importantly with Sazonov his Foreign Minister and Yanushkevitch the Chief of the General Staff, both of whom pushed for war. .As you read the narrative it becomes increasingly clear that Russia wanted war. Why is not perfectly clear although it is certainly plausible that Russia felt they needed to be assertive because they had been humbled so often in the decade prior to the war and that Russia was at risk of losing its status as a great power. There is also the element of Russian lust for control of the outlet on the Black Sea to the Mediterranean, which would give the Russians a warm water port and was something they had wanted at least as far back as the Crimean War. Russia wanted war and right up until the last minute they had the ability to avoid one, all they had to do was stand down and allow the Austrians to punish Serbia for their support of regicide. That, the Russians would not do and in the end they dragged the rest of Europe into a war that was unnecessary.

Sean McMeekin has taken an opaque subject like diplomatic history and shed light on the manner in which diplomacy was conducted in the month prior to World War I. He masterfully weaves together the various actions of all the powers of Europe and makes a very complex series of events clear and easy to understand. July 1914: Countdown to War is the best diplomatic history of the period I have ever run across and is certain to become a classic and the standard work on the subject. I highly recommend this book to anyone interested in why and how World War I broke out. A very clear look at a very muddy subject.

Margaret Thatcher Passes away

Margaret Thatcher  the famous Iron Lady of 1980′s Britain and only female Prime Minister in English History has passed away in London from an apparent stroke.  She will be remembered as one of the most effective Prime Ministers in British history.  Not least among her accomplishments was her steadfast opposition to the Soviets in partnership with Ronald Reagan and most notably to me her refusal to bow to Argentina and the way in which she prosecuted the 1982-1983 Falklands War to regain the islands after the Argentine’s invaded and seized them.

Lady Thatcher riding in a Tank

Lady Thatcher riding in a Tank

I hope the British realize what a treasure they have lost and remember her fondly.

May she Rest in Peace

How to Build and Fire a Medieval Trebuchet

Who would not want to build their own Trebuchet and rain down destruction on various targets in their backyard? I know I did. Luckily, I got a Trebuchet kit from my wife for Christmas. The below video is the result of that and one I put together for a class I am currently taking on Desktop Video Production. The assignment was to make a five minute video on a topic of our choice. It had to have x-number of transitions, background music, narration and video effects. That is why there are so many crazy transitions in the video.
Believe me, shooting it is way more fun that watching me shoot it. That doesn’t bother me because I am having the fun. However, you too can have as much fun as me. The Trebuchet I have is a kit available from Oakland Ballistics on Amazon.

The background music is from an awesome Celtic band I found a while back called The Gothard SIsters.  They have several albums out already and a new one is due out this coming summer.

Book Review: The Battlefields of the First World War: The Unseen Panoramas of the Western Front by Peter Barton

The Battlefields of the First World War: The Unseen Panoramas of the Western Front by Peter Barton is one of the most visually stunning books about WWI I have ever read.  This work is more than just a history of British participation on the Western Front.  It makes use of officially produced trench panoramas to illuminate conditions of trench warfare better than almost any other pictorial record of WWI I have run across.

The book itself is 358 pages in length with a bibliography, picture credits, list of further reading, and index.  In addition, and one of the things that makes this book outstanding  it includes two CD-ROMs that contain digital versions of all of the panoramas discussed in the book.  The worst part is the prohibitive price of the book, anywhere from $369 to $900 on Amazon as of this writing, that means this book is only in reach of the wealthy or libraries.  I got the copy I read from a library.  All the panoramas used in the book and many additional ones are also available online at the Imperial War Museum First World War Panoramas Collection site.  The photos included with the book are more easily searchable than those from the internet but the internet site is more accessible to the average person.  The book is organized into eight geographically organized chapters that start at Ypres and work their way east to Cambrai, the furthest east extension of the British Sector of the front during the war.  There are over 200 panoramas discussed in the book and each is numbered and available on the CDs.

One of the most interesting things about the photos used in the book is the amazing difference between the photos seen here and the typical image people have of the conditions of trench warfare.  Most people, myself included prior to reading this, have an image of the Western Front fixed in their minds in which the battlefield is a barren wasteland full of corpses, shell holes, and mud, in which any greenery is absent.  The photos here give the lie to that image.  To be sure there are panoramas in which that stereotype is upheld, particularly those taken in Ypres sector during the great battles fought there.  But even in those pictures, the band of destruction is relatively narrow and undamaged land can be seen just outside of the zone of fighting in almost every picture.  What was most striking to me is how much greenery is to be seen in No Man’s Land in the photos and the sheer emptiness of the landscape.  Besides some trenches, and the occasional helmet of a soldier poking above a trench there is no one to be seen.

The photos are illuminating for several reasons.  One, many photos show exactly how close the opposing trenches really were to each other.  It is one thing to read that No Man’s Land was only 30 yards across in places, it is something else to see that in pictures.  Another thing illustrated by the photos quite well is how commanding German positions were across most of the front and how big a difference 90 feet in elevation can make.  When I visited the Ypres battlefields in 2004 I was shocked by how far the view was from on top of the 95 foot height of Passchendaele Ridge.  That is also illustrated in these panoramas.

The narrative text in the book puts each photo into perspective and places it within the the context of the war itself and the battles themselves.  I have been to several of the battlefields in the book and the several photos from the same positions are included in the book.  These then and now contrasts highlight how little the terrain has changed in the ensuing decades since the war ended.

The panoramas are the reason for this book and they make it worthwhile to read, even for those knowledgeable about WWI.  Along with the narrative, they give the reader a whole new sense of the experience of life in the trenches.  This is an outstanding book that I highly recommend.  I just wish it was not so prohibitively expensive, which would make it available to a much wider audience.